This week's Indy features a special section looking back at the whole of 2007 in music. The whole thing is a good browse, but I particularly liked the piece by Rick Cornell about the state of roots music in North Carolina. In particular, Cornell focuses on how successful roots music continues to be throughout the state, in various forms.
I'm drawn to this piece not just because Cornell romps through some of my favorite local musicians, although that's certainly a plus. He touches on a variety of excellent acts, from the Avett Brothers to the Midtown Dickens to Chatham County Line, to personal favorite (okay, so they're friends of mine, I'm biased) the Carolina Chocolate Drops. (Another shameless plug: Cornell didn't mention other friends-of-the-blog Little Windows, but should have!) The main reason I'm linking here is because he touches on something I've thought for a long time, and is a big reason why, after spending college in a town in Minnesota that could be a dead ringer for Lake Wobegon at times, I ended up back in North Carolina. The way I've put it in the past is that in North Carolina, music just seems to be seeping out of the ground, or at least running through the trees like the pine tar from the lost longleaf forests. It's not any one kind of music, but it almost seems like everyone here is doing music in some form or another, to a far greater extent than anywhere else I've spent much time. Cornell puts it another way, attaching a name to it that I think is pretty good too:
But above all else, I point to "The Echo" for this state's current role
in roots music. It's the sense that, if you put your ear up to a pine
tree, you can hear a mountain ballad or four-part harmony. If music
isn't everywhere in this state, it's just two mandolin players away
from that goal. "You walk out your front door, and it's hard not to
bump into someone who plays piano or sings in the choir at church, or
does some pickin' on the banjo or guitar," says Dolph Ramseur, who
finds time to manage The Avett Brothers and the Carolina Chocolate
Drops when he's not running Ramseur Records. "Growing up in the
Piedmont, it seemed that every family I knew had a piano in the living
room, and somehow I am sure this helps make a difference." For
Merlefest Director Ted Hagaman, it's this simple: The music is part of
every North Carolinian's heritage.
Perfectly said.
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